Highlight Film
5–7 minutes
$250
The film the couple actually shares. Story structure, vows and speeches woven in, fully graded, scored and cleaned.
Send oneOutsource Your Wedding Video Editing
It's Wednesday night. Still scrubbing through last Saturday's reception?
Send us the raw footage instead. You'll get a finished film back — in 14 days, under your name, for $250. That's a working week of your life, bought back for less than a lens rental.
No deposit. You pay once the film is in your hands and you've approved it. No subscription, no commitment.
Our works — press play.
Every film below was shot by someone else and finished by us.
editozzo — portfolio
Media pool
jm_highlight.mov
Source
The part of the job nobody warned you about
You got into this for the eleven hours of the wedding day. The first look, the vows, the dad who holds it together right up until he doesn't.
Then Monday happens. And Tuesday. By Thursday you're color-matching the B-cam at 1am, your inbox has four new inquiries you haven't opened, and the couple from six weeks ago just sent a very polite "any update?"
Here's the part that actually stings: editing is what caps your calendar. Every Saturday you book costs you the week after it, so the number of weddings you can take isn't set by how good you are. It's set by how many evenings you're willing to lose.
Why videographers hand us the wedding they're dreading
Most wedding video editing services are a queue you upload into and hope about. These are the six things that make videographers send us the second wedding, and the fifth, and the one in the middle of August.
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We only edit weddings
Not corporate, not real estate, not somebody's YouTube channel. Every hour we have spent in DaVinci Resolve has gone into a first look, a vow or a father-daughter dance. We know what the day does, so we know what the film has to do with it.
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One tool, all the way in
Most editing services list Premiere, Final Cut and Resolve. That isn't flexibility — it's three sets of habits and three ideas of what "clean audio" means, landing in your inbox at random. We are Blackmagic Design certified and everything happens in one pipeline: the cut, the grade, the Fairlight audio.
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Your style is learned once
Before the first project we watch two or three of your own films — not what you shot, what you released. Pacing, how long you hold, where the vows sit, how warm you run. The same editor stays with your films after that, so you are not re-explaining yourself every season.
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Color grading is included, because it is the job
Open the pricing page of any large wedding video editing company and look under optional extras. Grading is usually sitting right there. Here every camera is normalised to one baseline, matched shot to shot inside each scene and graded — Canon next to Sony next to the drone — at no extra cost.
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You pay after you approve
No deposit, no retainer, no card on file. You send the footage, we edit it, you watch it, and the invoice only exists once you have said yes. If a film never gets approved, it never gets billed.
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Your couples never hear our name
White label, every time. No watermark, no credit, no email from us to anyone but you, NDA on request. As far as the wedding world is concerned, you edited it — and since it is your footage, your eye and your name on the delivery, that is close enough to true.
And the things that ruin a film quietly
Nobody watches a wedding film and says "lovely noise floor." They just feel that something is off.
- Audio cleaned up, not just balanced. Room hum, air conditioning, the DJ bleeding into the speeches — gone. Vows and toasts intelligible without being harsh.
- Video noise reduction. The dance floor at ISO 12800 is a fact of life. Grain that eats faces isn't.
- Licensed music from our own subscriptions. We select it, we license it, you never think about a copyright claim. Have a track the couple asked for? Send it.
Included in every film. All of it.
- Storytelling and structure
- Not a template with your footage dropped in
- Color correction and color grading
- Not an extra
- Audio quality improvements
- Speeches, vows, ambience
- Video and audio noise reduction
- Not an extra either
- Licensed music
- From our own subscriptions
- 2 rounds of revisions
- Timestamped notes, no arguing
- 14-day turnaround
- 21 days at the peak of the season, and we'll say so upfront
What we need from you: raw footage, up to 4 cameras plus a drone, up to 3 hours per camera. Bigger than that — send it anyway and we'll quote it.
Pricing
Flat rates. No deposit, no subscription, no contract, no minimum number of weddings.
Full Film
Up to 120 minutes
$275
Chronological, unhurried, the whole day — prep, ceremony, speeches, first dance, the lot. Same grade and same audio work as the highlight.
Send oneTeaser
1 minute
$130
Also called a trailer or a reel, depending on who you ask. Vertical and horizontal, ready to post while the couple is still on honeymoon.
Send oneColor Only
Highlight or full film
$150
You cut it, we grade it. Every camera normalised, matched shot to shot, skin tones holding across the day.
Send one- Color correction and grading
- Audio cleanup
- Noise reduction
- Licensed music
- 2 rounds of revisions
- 14-day turnaround
Packages
Highlight + Full Film
The pair most couples ask for.
$450
Send one weddingHighlight + Full Film + Teaser
Everything you hand the couple, in one go.
$500
Send one weddingYes, that means adding the teaser to the two-film package costs $50 instead of $130. No, it isn't a typo. We're already deep in your footage by then — the expensive part is getting to know the wedding, and we only do that once.
Launch pricing. These are our opening rates while we build out our portfolio — lock them in now and they stay yours.
Start with one wedding
Pick the wedding you've been avoiding. The one with the dark church and the four cameras that never agreed on anything.
First highlight film — $100. First teaser — $30.
One project, our actual work on your actual footage, at a price that makes the decision easy. And since there's no deposit, you don't pay even that until the film is finished and you've said yes to it.
Worst case, you spent an upload.
Send your first weddingWe don't take a deposit. At all.
Here's the part where most editing services ask for money up front, or half now and half on delivery, or a card on file before anyone touches your footage.
We don't. You send the footage, we edit it, you watch it, you approve it — and only then do you pay. Not a deposit, not a retainer, not "just to hold the slot."
We'd rather earn the invoice than hold your money while we work.
How it works
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01
Send the footage
Dropbox, Google Drive, WeTransfer, whatever you already use. Add a couple of your own films as reference, any must-have moments, and the track if the couple requested one.
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02
We learn your style before we cut
We watch what you've made, not just what you shot. Pacing, how long you hold a shot, where you like to put the vows, how warm you run your grade.
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03
First cut in 14 days
Review it, leave timestamped notes, and we'll turn the revision around fast. Two rounds are included, and most films are signed off on the first.
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04
Approve it, then pay
Once you're happy, the final master goes out in whatever spec you need and the invoice follows. Your name on the film. We were never here.
Questions, answered properly
How do I send you my footage?
Dropbox, Google Drive, WeTransfer or any cloud link you already use. We work from raw footage — no need to organise or sync anything first. If your upload is enormous, tell us and we'll sort out a faster route.
What's your turnaround time?
14 days for the first cut on any film. From roughly July through October the queue is longer and we'll tell you up front — up to 21 days. We'd rather give you a date you can quote your couple than a date that sounds good.
How many cameras can you handle?
Up to 4 cameras plus a drone, with up to 3 hours of footage per camera, at the standard price. Multi-day weddings, extra angles or more footage than that aren't a problem — send the details and we'll quote it.
Will you match my style?
That's the job. Send two or three of your own films as reference and we'll work inside your pacing, your grade and your structure. It's your portfolio the film has to sit in, not ours.
Do you deliver the project file?
No — we deliver finished masters. The color pipeline and audio chain we've built are the reason our films look and sound the way they do, and they stay in-house. What you get instead is two full rounds of revisions, so the master lands exactly where you want it before you send it on.
Which software do you edit in?
DaVinci Resolve, exclusively. We're Blackmagic Design certified in it. Everything — the cut, the grade, the Fairlight audio work, the noise reduction — happens in one pipeline rather than being passed between tools.
Is color grading really included?
Yes, on every single film, at no extra cost. So is audio cleanup, so is noise reduction, so is licensed music. We don't have an "optional extras" section.
Do you handle music licensing?
We select and license tracks from our own subscriptions, so the music is cleared before it reaches you. If the couple has asked for a specific track, send it over and we'll cut to it.
What if I don't like the first cut?
Leave timestamped notes and we'll fix it. Two rounds are included on every project. In practice most films come back once with small notes and that's the end of it.
Do you take a deposit?
No. There's no deposit, no retainer and no card on file. You send the footage, we edit it, you review it, and you pay once you've approved the film. If it never gets approved, it never gets invoiced.
When and how do I pay?
After you approve the finished film. We send an invoice, you settle it, and the final master is yours.
Do I have to commit to anything?
No deposit, no subscription, no contract, no minimum. Send one wedding a year or one a week.
Which countries do you work with?
The US, UK, Canada, Australia and New Zealand, and we invoice in US dollars wherever you are. Everything happens over cloud links and timestamped notes, so the time difference works in your favour — you leave notes in your evening and the revision is waiting in the morning.
What if the footage or the audio isn't perfect?
That's most weddings. Vows lost under wind, a reception shot at ISO 12800, a ceremony where the lav was never switched on — the audio repair, the noise reduction and the stabilisation are part of every edit, not an upsell. If something is genuinely missing we cut around it and tell you before the first cut rather than leaving you to find it.
One wedding. No deposit. That's the whole pitch.
You already know which wedding it is. It's the one still sitting on the drive, the one you've opened twice and closed twice.
Send it over. Get it back in 14 days, graded and finished, with your name on it — and pay only once you've watched it and said yes. Then decide whether you ever want to do your own color pass again.
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- US, UK, Canada, Australia, New Zealand